Some good news.

"This happens to the story's main character, and I don't know how Ryan could have done it any better. We get a remarkably vivid sense of the frustration and confusion she feels, and artist Dylan Meconis is up to the task, enhancing and adding nuance. "Johnny Bacardi reviews Sara Ryan and Dylan Meconis' CLICK.(Read the whole comic online for free.) He also reviews Flytrap #3, illustrated by Ron

So I guess you're new here.

I've sent out several dozen copies of this email today:When our studio changed its name from Mercury to Periscope, I thought we were sort of stuck with our old blog URL. Today though, I was happy to stumble upon a button in the blogspot dashboard that enables you to move your content to a new blogspot URL, and I used it. Bang! All of our content was now available at http://

Rich does Fables.

A collector recently commissioned Rich Ellis to do a Fables piece. Here's what he got:If you're interested in commissioning an Ellis piece for yourself, write Rich at fendygit4(at)gmail.comOver at the Pulse, Sara Ryan and I were interviewed by Chris Beckett about Sara's and my first comics story together "Me and Edith Head." Sara's also got a seriously snazzy new web-design up at her site. (

Eddie on the zip

Eddie Campbell is blogging about screen tones. I've had a love/hate relationship with the stuff for years. While the traditional Wally Wood approach to zip never seemed a good match for my line, I've always adored what Eddie has done with those little dots. Guy Davis's "Baker Street" and Doug Wildey's work were inspirational too. When I started Whiteout, screen tones enabled me to get, as Eddie